· Architecture (Juan de Alava, Juan Guas, D. Siloam and D. Riaño)
Continuity between the Middle Ages and Renacimiento.Solo in recent times approaches the Italian forms the "purism".
"Constructive elements:
Cruciform pillar · Change the column, a fact that flourishes in the period "purist".
· Tires: monumental domes are built, ribbed vaults.
Guns Bows: A return to half-point or simple lintel.
· Decoration: There is more profuse in the Plateresque.
We distinguish three periods: Plateresque, Purist and Herreriano.
· Sculpture (A. Berruguete and Juan de Juni)
Renaissance Sculpture in Spain takes place in the sixteenth century. Some of the artists are going to Italy and arrive in Spain of Italian and French authors.
· Predominant religion and all that is profane and pagan is relegated to a decorative function.
• The preferred material is wood polychrome
• The Spanish sculpture retains a taste for expressive and realistic sculpture.
· Works in the round are rarer than the relief necessary for the decoration of altars, choir stalls, tombs ...
• The Spanish sculpture gets the domain of the representation of the human figure.


· Painting
Religious theme. Only nobility mythological painting drawn by Italian artists. The clientele of the Spanish painters was the Church. Gradually assimilated the decorative elements of Italian painting, being faithful to the flamenco technique and taste of the previous century.
Raphael's influence is appreciated and some of mannerism, but are still maintained contacts with Flanders. At the end of the century is some influence of Michelangelo and Venetian painting.
• The Greco
Italy-2nd stage: Titian, Tintoretto and Mannerist painters alguns mark your paint colors, the composition of the scenes, attitudes of the figures ... The expulsion of the merchants of the tem ple
Spanish-3rd stage: It is the most extensive and productive. It is one of the leading Mannerist Spanish, his compositions are formed by the overlapping of scenes at different heights, the light does not come from a definite focus on the effects and color. The figures are elongated and majestic, passionate faces strong foreshortening.
The Burial of Count Orgaz, El Greco Toledo.El repeated in a number of grounds of religious scenes. The crucifixion, the Coronation of the Virgin, View of Toledo ... His only work is the mythological style and their children Laonconte. Very personal style, unreal and an exalted spirituality, this school had not identified or followers.