POETRY: Garcilaso de la Vega 1 1 / 2 XVI:
WORK: sonnets, Eclogues: poetic composition of pastors. Topics: Love: indifference of the lady and the lover's pain. Nature: stylized environment in which the characters complain about their love problems.
Style: clear, simple and elegant with a desire for harmony. Hendecasyllable predominates. Alliterative verse and music in the hipérbatos.
FRAY LUIS DE LEÓN 1 1 / 2 XVI:
Work: Prose: Translations: CantardelosCantares. Originales: In the name of Christ.
Poetry: Translations: Bible: Some passages from the book of Job. Originales: less than 40 poems. Most are''ll'': composition of an undetermined No verses, stanzas, short and varied themes.
Topics: nature, longing for country life, and music night. All have their origin in the Beatus Ille.
Style: Verse: lira. Literary devices: hyperbole, alliteration, hipérbatos, metaphors, personification ... Peculiar feature is the use of the 2nd person.
JUAN DE LA CRUZ 2 º 1 / 2 XVI:
Work: Spiritual Canticle and Dark Night. Topics: love: the texts go beyond the erotic and try to express a spiritual content. Style: influence of Italian learned poetry, popular Castilian and the Song of Songs.
PROSE: Teaching Prose: The model used is the dialogue. In the dialogues, 2 or more characters address any subject by presenting different points of view.
Very numerous are the books in prose and mystical ascetic writers
Prose fiction: narrative pastoral: these books insist on presenting stories of love between shepherds. Item Morisco represents the figure of the Moor.
Miguel de Cervantes: Poet: The Journey to Parnassus. Playwright: La Numancia (unique tragedy). Novelist: Don Quixote (Book of Chivalry) NARRATIVE PROSE: Picaresque Novel: Quevedo: The Buscón
Mio Cid: Author unknown (Per Abbat). Medieval epic poetry belongs XIII.Dividido epic genre into 3 parts: Song of exile, weddings and Corpes affront.Analysis: · Politico: Castilla Leon against the Cid is facing the lion king. · Socio-economic: it reflects the lifestyle Cid bellicose and contempt for the nobility. · Individual: It glorifies Ciz, appears as a hero to enlarge Castilla.

Miguel de Cervantes: Poet: The Journey to Parnassus. Playwright: La Numancia (unique tragedy).Novelist: Don Quixote (Book of Chivalry) NARRATIVE PROSE: Picaresque Novel: Quevedo: The Buscón
Mio Cid: Author unknown (Per Abbat). Medieval epic poetry belongs XIII.Dividido epic genre into 3 parts: Song of exile, weddings and the reproach of Corpes. Analysis: · Politico: Castilla Leon against the Cid is facing the lion king. · Socio-economic: it reflects the lifestyle Cid bellicose and contempt for the nobility. · Individual: It glorifies Ciz, appears as a hero to enlarge Castilla.Libro de Buen Amor Author: Juan Ruiz (Archpriest of Hita). Style: m ester of clergy of the fourteenth century. Metric: cuaderna via stanzas, the metric domain and the language of scholars. Structure: consists of many texts united by the narrative of the 1st person. Themes of love and death.Intent: very ambiguous due to the heterogeneity, but around the theme of love (carnal and devout). Celestina Author: Fernando de Rojas found the 1st act, Tragicomedy of Calisto and Melibea XVI. Genero: work in dialogue that allows its representation. The characters speak according to their social condition. Love cuts. Characters: are grouped according to their class, educated or popular. Intent: "End moral consequences of bad behavior. "Social criticism on corruption. Lazarillo de Tormes Author: anonimo in 1st person epistolary style and XVI.Gender: creates the picaresque novel is divided into 7 treaties. Try the moral issue: it is a critique of false honor and hypocrisy with a message anticlerical. Lázaro evolves throughout the play.