language

THE ROMANTIC: begins in the 30s with the return of exiled liberals an edge made contact with the romantic Romantic era had desires and change the world but sulen xocar to fulfill your wishes and they feel frustrated, pessimistic and k is only seeking to escape

movement is a cultural, artistic and literary in Germany starts and spreads in Europe and America in the nineteenth century. is characterized by the desire imnovador, the defense of freedom and exaltation of feelings

OTHER FEATURES:

thematic features

1 - freedom consists of the exaltation of freedom and a taste for characters that symbolizes that freedom (k characters are faced goodbye or the laws of men such as: PIRATES, CONDEMNED AMUERTE diabolos)

2-The senimientos as the love that is willing to defy all social conventions to reach loved wing

3-k the landscape are the feelings we can identify as Nuestrso (ruins k storms are high mountains and mysterious places reflect their spirit tormented

4 - is also the mysterious, supernatural like XLO

5-Escape is the uidA of relaidad to another era to the Middle Ages as to exotic places and to death

6-k personal individualism is reflected in the collective taste x xlos traditions and popular nationalism

ARE expressive characteristics: is about how to write

freedom to write not accept any kind of rules that same mix x prose and verse and comedy and tragedy in the same poem it is called (Polarimetry)

characteristic vocabulary: technical and lugubrious

theatrical language has to be full of questions and exclamations

the lyric is the genre more like k

LIRICA

EXPRONCEDA: HIS LIFE AND WORK

1808 to 1809

rebel liberal ideas and strong political commitments .... was exiled in Europe proibidoscon teresa loves mecha ...

fumdamentales works are: STUDENT OF SALAMANCA AND THE DEVIL WORLD

Nineteenth-Century Literary Movement

in the 1st half of the nineteenth century Romanticism spans Europe and in the second half of the century gives way to realism

CENTURY MOVEMENT CHARACTERISTICS neoclasilismo one reason eighteenth Greek artistic models thought Roman and Renaissance didactic 3intencion 2norma

1st half romantic feelings XIX 1 2 3 free no intension to and didactic

XIX one objective realistic reflection of reality 2 3 intension critical

society and culture in the 1st half of the nineteenth century in the nineteenth century is the century of revolutions is an (abrupt change)

An economic revolution industrial revolution =

Social = 2revoluciones accompanied the bourgeoisie and the proletariat appears

3 The political revolution of the old regime step = NR and were conservative when compared aliberales

4 = romantic cultural revolution

GUSTAVO ADOLFO BECQUER

LIFE: 1836-1870 born in Seville had a romantic life happened hardship Ipicas unhappy love affairs and had an early death

WORK: the most important k rhymes and legends was published after his death

rhymes consisted in: action of the poem is composed by topic (poetry, love, hate, color)

are the most common rhetorical figures (metaphors and representative) which are the anaphora and the parallels

metaphor consists of: (Polarimetry, assonance and rhyme poems Brebes)

THE LEGENDS: are traditional stories have echos k aunke are fantastic but narrative lyrical elements have muxos

COMMENT TEXT OF LOVE ': this is an example

theme: from the block rhymes whose subject is heartbreak and disappointment its theme is the impossible love

structure: it has 2 parts 1 & 2 verse 1 identifies alos love with nature and the 2nd part speaks only of lovers

NATURE k kiere say romance is born in the cities but their favorite landscape is the k Kreca wilderness in freedom without control ombre

rhetorical figures: have a lateracion k is the rr sound throughout the entire poem as x example (you had to tear break k) the sound used to give the poem and to imitate a storm

romantic characteristics: the landscape reflects the feelings and beloved shows a romantic landscape (the storm at sea)

the exaltation of the feelings his subject is the impossible love

This clash between desire and reality (LOVES A WOMAN BUT THAT LOVE! could not be!)

FORMS OF EXPRESSION: creative freedom is on the Polarimetry k

-Theatricality that is seen in the use of exclamation