Elizabethan drama, Shakespeare: The whole field of Latin Christendom, three main varieties monopolized the sacred representations: miracles, inspired by the heavy flow of legends that related the providential intervention of the saints in secular life, the mysteries, for view events and prophecies from the Old or New Testament, and morals, designed to remind the human race is not appropriate behavior for lost in the quest for eternal salvation. Of the species mentioned, the last two were the most established and penetration Inglaterra.Los actors often improvised and came from trade associations which supposedly more akin to the matter raised: the carpenters interpreted to Noah during the construction of your boat ; the goldsmiths embodied the Magi in the act of delivering their offerings preciosas.Pese to religious inspiration, the compositions were often imbued with a significant emphasis anticlerical, with caustic references to the papal conduct, a circumstance that reasonably suggests a foreshadowing of doctrines which then collect the ideas of the Reformation and that may be infiltrated by the influence dramatic texts lolardo.La predominant orientation was, however, of unquestionable moral and religious purpose, with great display of admonitions about the dangers involves excessive attachment to the transient and deceptive goods terrenales.Cabe noted that the medieval development of the theater seems to have remained strictly circumscribed to fables and moralizing biblical themes, with almost total exclusion of the romantic atmosphere that usually surrounds the miracles of saints . The secular shows probably coexisted since the early date with the religious displays and perhaps at times reached a considerable degree of boldness, preferably using similar strategies to the pageant. The nature of these representations and even the exact meaning of the name that brings together scholars have led to extensive discussions, as this species apparently admitted from the procedures dramatic allegorical morality to the comedy realistic farsa.En during the sixteenth century observed a sustained interest in dramatic composition and a continuing search for effective performing formulas.